A year ago, I remember reading for the first time about the Dutch holiday tradition of Sinterklaas. I happened across the Slate article written by Jessica Olien, an American new to the Netherlands at the time, where she described her first encounter with Sinterklaas and the Zwarte Piet celebrations, which she calls “Holland’s favorite racist Christmastime tradition. She puts it pretty bluntly,
In Holland, Santa doesn’t have elves. He has slaves.
For those who do not know, Sinterklaas is the Dutch version of Santa Claus. But According to the background story, Sinterklaas is a Turkish bishop who arrives in Netherlands via steamship from Spain every late November. He is assisted by Zwarte Piet, or literally, “Black Pete”. Every year, hundreds of people dress up as Sinterklaas’ helpers by painting their faces black, coloring large red lips on their faces, and donning curly black afro wigs and gold hoop earrings.
When I first heard about Sinterklaas and Zwarte Piet in the Netherlands, I was 2 parts shocked, 1 part disgusted, 1 part angry, and a dash of saddened to learn that such a stereotypical image of black people was not only allowed, but celebrated. Even the word “celebrated” doesn’t do it justice. Since coming to live in Curacao, I’ve learned just how ingrained Sinterklaas and Zwarte Piet is to the collective Dutch culture. It is a huge children’s event. My Dutch friends tell me that growing up, most children believe Sinterklaas and Zwarte Piet are real. There is a Sinterklaas news channel that documents his journey into the Netherlands. Famous Dutch national actors play the different Zwarte Piets. Every year Sinterklaas parades into a different city, greeted by thousands of families with eleborate ceremonies. Its like Santa Claus on steroids. All for the kids.
Even more peculiar to me, is the fact that here in Curacao, a former Dutch colony of mostly African descendants here in the Caribbean, celebrates Sinterklaas and Zwarte Piet as well. I went to the Sinterklaas arrival this past weekend in Willemstad, and when I saw local black Curacaoans painting their own skin darker, their own lips redder and bigger and donning the Zwarte Piet costumes, I was equal parts surprised and confused.
The parade was HUGE. Well, as huge as a parade can get for a small island. Okay, the parade was island-sized huge. Hundreds of parents brought their young children out early Saturday morning to wait for Sinterklaas and the Zwarte Piets to arrive to Curacao. Kids were dressed up in Zwarte Piet hats. And arrive he did. Curacao’s Sinterklaas was not on a white horse, but a pony led cart in the Brionplein area of Otrobanda, on the edge of Curacao’s famous harbor. The celebration was a bit like Christmas meets Carribean carnival. I have to admit, if I was a child, the celebration is a blast. Drumming Zwarte Piets performed on drums, while dancing Zwarte Piets entertained the crowd with acrobatics and choreography. Other Zwarte Piets toss out candy for the children, while Sinterklaas sits on his big throne on the stage and watches the show entertained by the Zwarte Piets and their acrobatic skills. Young performers danced and sang to welcome Sinterklaas to Curacao. Here in Curacao, Sinterklaas is greeted by a mayor, and addresses the crowd in Papiamento.
But how can an island that boasts a population of 85% African descendants celebrate a character that for many is reminiscent of the offensive minstrel shows of Black Sambo? How can parents line up every year to watch community play Sinterklaas’ goofy, mischievous helpers, who always screws up something with the presents, and requires an overseer Piet to to supervise the rest of them? How can Curacao, an island where many locals blame Dutch neo-colonialism and slavery for the island’s problems, still celebrate what many think to be one of the most racially insensitive traditions out there? It was eerie to feel like I was watching a 2012 Holiday Minstrel Show, in the Caribbean. Watching Zwarte Piets dance and be goofy while Sinterklaas runs the show reminds me of this clip from the Cotton and Chick Watts Blackface Comedy Routine from 1951. (Forward to the 2:45 mark)
I’ve had conversations with Dutch people here on the island about Sinterklaas and Zwarte Piet, and many of them cannot find anything wrong with it. In fact many have gotten downright angry and defensive at the suggestion that Zwarte Piet is a racist caricature for black people. Common responses:
There’s nothing offensive about it. Zwarte Piet isn’t black, he’s Moorish! ( Okay, that makes it all better if Zwarte Piet is a North African Muslim.)
Children love Zwarte Piet! It’s not like we hate him or looked down upon. All the kids want to be like Zwarte Piet. They are a little more afraid of Sinterklaas. Do you want to ruin the children’s fun? (Using children to justify maintaining Zwarte Piet is the most common. But it is the adults who create the tradition and perpetuate it, right?)
Zwarte Piet isn’t a slave, he’s a helper! It is not a race thing. (If he is just a helper, does it matter what color he is? Why is he black? *Note* Holland tried to introduce non-black Piets in the past, using other colors. People did not receive it too well and that was the first and last time they used colored Piets)
Zwarte Piet is black because he got dirty from falling down the chimney, not because he is black! (Then why aren’t his clothes dirty? And why is Zwarte Piete’s hair always a black and curly Afro wig? Did the chimney change Zwarte Piet’s hair? Did it make his lips bigger and redder too?)
It can’t be racist. Black people and locals here in Curacao paint their faces blacker too. And they sometimes they paint their skin whiter to play Sinterklaas! (Doesn’t make it okay.)
Americans are just too sensitive! You have no right as an outsider to judge our traditions if you don’t know the story. And if 95% of the Dutch population sees that there is nothing wrong with Zwarte Piet, then who cares what the other 5% say. Don’t Americans celebrate Thanksgiving and the slaughter of Indians? That’s worse than Zwarte Piet! (Usually if the conversation has come to this point, it signifies the end of the hope of a productive dialogue.)
Zwarte Piet would never happen in the States, my friends say. Others ask how it is possible for Curacaoans to also celebrate a character that is so demeaning to black people, while at the same time claiming that they desire to be free of Holland and its neo-colonial attitudes towards its former colonies.
I asked a local Curacaoan blogger Jermain Ostiana, about the Sinterklaas celebrations. He been quite vocal on Twitter about what he calls the “coonfest” that is the Zwarte Piet celebration here in Curacao. He told me that last year, the only form of protest against Zwarte Piet was a banner hung on the walls of Fort Amsterdam. “Nobody is going to risk sticking their necks out here, its sad but true here.”
Curacao is the same island where the controversial Dutch comedy “Only Decent People” that depicts Surinamese women, as loud, fat, oversexed, ghetto welfare queens opened to crowds. The producer of the film offered free tickets to large dark skinned women here in Curacao. And people bought in. This is also the same island where little media attention has been paid to the fact that a major motion picture about Tula, the slave who led Curacao’s biggest revolt in 1795 is currently being filmed here. This is also the same island where on the 2 year anniversary of Curacao’s autonomy from Holland on October 10th, which was a national holiday (Dia di Pais), there were basically no celebrations.
Could it be that social, political and cultural apathy has allowed the Zwarte Piet caricature to thrive here in Curacao? I hope that is not the case.
Yes, Zwarte Piet is colored black. But it is more than just the skin color. The black curly hair, oversized red lips, and goofy character is not unique to “Dutch tradition”, but rather were/are common mockingly stereotypical images for dark skinned people that have appeared in various narratives for children, from Herge’s The Adventures of TinTin comic books in Belgium in the 1930s, “Black Sambo” in Britain in the late 1800s, and Jim Crow and the various minstrel shows in the Americas. The reason why Zwarte Piet resonates with “outsiders” or alloctoons is because they have seen Zwarte Piet before. We have seen the exact same character to represent non-white people in other historical narratives. Zwarte Piet actually is nothing new. In most other places, that character has been recognized to be a relic of a racist time long gone by (or so we think) and is no longer in use in public. Why Zwarte has been fiercely guarded and protected by people living in the Kingdom of the Netherlands to this day in the name of “tradition” baffles many people.